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(ct) artist |
stream / download mp3 |
min |
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1
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Ryan Novak
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00:24 |
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2
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Ryan Novak
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00:29 |
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3
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Ryan Novak
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00:16 |
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4
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Ryan Novak
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00:34 |
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5
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Ryan Novak
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00:21 |
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6
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Ryan Novak
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00:31 |
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7
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Ryan Novak
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00:47 |
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8
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Ryan Novak
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00:28 |
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9
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Ryan Novak
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00:16 |
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10
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Ryan Novak
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00:26 |
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11
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Ryan Novak
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00:14 |
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12
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Nate Groth
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00:10 |
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13
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Nate Groth
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00:19 |
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14
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Nate Groth
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00:20 |
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15
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Nate Groth
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00:21 |
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16
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Nate Groth
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00:22 |
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17
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Nate Groth
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00:31 |
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18
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Nate Groth
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00:17 |
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19
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Nate Groth
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00:15 |
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20
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Nate Groth
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00:09 |
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21
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Nate Groth
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00:26 |
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22
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Nate Groth
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00:17 |
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23
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Nate Groth
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00:15 |
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24
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Nate Groth
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00:30 |
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25
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Nate Groth
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00:28 |
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26
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Matt Davignon
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00:55 |
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27
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Matt Davignon
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00:34 |
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28
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Matt Davignon
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00:59 |
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29
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Matt Davignon
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00:54 |
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30
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Matt Davignon
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00:13 |
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31
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Matt Davignon
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00:54 |
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32
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Matt Davignon
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00:11 |
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33
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Big City Orchestra
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02:42 |
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34
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Big City Orchestra
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02:14 |
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35
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The Bran Flakes
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01:02 |
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36
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The Bran Flakes
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00:33 |
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37
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The Bran Flakes
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01:06 |
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38
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The Bran Flakes
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00:57 |
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39
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The Bran Flakes
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01:11 |
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40
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Aliensporebomb
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00:56 |
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41
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Aliensporebomb
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An ocean of waves |
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A synthesizer meditation that was laying unused that cried out for participation. |
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00:57 |
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42
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Aliensporebomb
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|
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Hallucinogen Shoe |
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An extremely difficult to finger chord arpeggiated, played backwards and looped
through extensive processing (Lexicon Vortex, assorted computer manipulation). |
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00:38 |
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43
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Aliensporebomb
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00:55 |
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44
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Aliensporebomb
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|
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Tribal part II |
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A section of an unused track that had an interesting melodic repetition. |
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01:07 |
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45
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Aliensporebomb
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|
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Damelon's door |
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An unused track included due to the unusual guitar loop texture and
processing. Compression/distortion/flanging/dual delays, vortex. |
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01:11 |
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46
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Echovirus
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00:30 |
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47
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Echovirus
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00:20 |
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48
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Echovirus
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00:30 |
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49
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Echovirus
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00:45 |
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50
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Echovirus
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00:58 |
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51
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Echovirus
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00:58 |
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52
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Chris Cory
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01:04 |
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53
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Chris Cory
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01:42 |
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54
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Chris Cory
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02:18 |
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55
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Chris Cory
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00:12 |
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56
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Chris Cory
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00:34 |
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57
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Andy Soto
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00:36 |
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58
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Andy Soto
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00:49 |
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59
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Andy Soto
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00:41 |
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60
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Andy Soto
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00:48 |
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61
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Andy Soto
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01:04 |
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62
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Andy Soto
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00:43 |
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63
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Andy Soto
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00:51 |
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64
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Andy Soto
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00:31 |
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65
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Tim Nelson
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|
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ahhhhcapella genuine acoustic phase shift (1981) |
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Vocals, a Shure mic and an Akai GX4000D open reel tape recorder, with sound-on-sound (-on-sound-on-sound-on-sound-on....). No effects at all. OK, so I listened to a lot of Brian Eno back then...
[Please note that Source was a sample disk, and that the tracks thereupon are not necessarily intended for standalone listening...]
|
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00:16 |
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66
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Tim Nelson
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|
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2 part laser beam thing |
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1971 Fender Precision bass, Roland and Yamaha synths
[Please note that Source was a sample disk, and that the tracks thereupon are not necessarily intended for standalone listening...]
|
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00:19 |
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67
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Tim Nelson
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Cyberbiker |
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1971 Fender Precision bass, Roland and Yamaha synths
[Please note that Source was a sample disk, and that the tracks thereupon are not necessarily intended for standalone listening...]
|
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00:13 |
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68
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Tim Nelson
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|
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Organ Donor |
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[Please note that Source was a sample disk, and that the tracks thereupon are not necessarily intended for standalone listening...] |
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00:17 |
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69
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Tim Nelson
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00:08 |
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70
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Tim Nelson
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Stagger 'n' Lurch |
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Faux drums, played manually on a keyboard.
[Please note that Source was a sample disk, and that the tracks thereupon are not necessarily intended for standalone listening...]
|
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00:20 |
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71
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Tim Nelson
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|
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Whack a Mole |
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[Please note that Source was a sample disk, and that the tracks thereupon are not necessarily intended for standalone listening...] |
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00:16 |
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72
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Tim Nelson
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Sneaky Bongo Lounge |
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[Please note that Source was a sample disk, and that the tracks thereupon are not necessarily intended for standalone listening...] |
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00:18 |
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73
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Tim Nelson
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Do spacesuits have zippers? |
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[Please note that Source was a sample disk, and that the tracks thereupon are not necessarily intended for standalone listening...] |
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00:15 |
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74
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Tim Nelson
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Robert who? |
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Fender Stratocaster, Akai Headrush
[Please note that Source was a sample disk, and that the tracks thereupon are not necessarily intended for standalone listening...]
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00:33 |
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75
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Tim Nelson
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Crackle (Floydian Slip) |
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[Please note that Source was a sample disk, and that the tracks thereupon are not necessarily intended for standalone listening...] |
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00:16 |
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76
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Tim Nelson
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|
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Tubular Smellodrama |
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[Please note that Source was a sample disk, and that the tracks thereupon are not necessarily intended for standalone listening...] |
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00:33 |
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77
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Tim Nelson
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|
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Some Words from Bill |
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Hail to the Chief. What IS the meaning of the word 'is', anyway?
[Please note that Source was a sample disk, and that the tracks thereupon are not necessarily intended for standalone listening...]
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00:44 |
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78
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Tim Nelson
|
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00:12 |
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79
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Tim Nelson
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|
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"Sheik & Baked" (Oud and Dumbek) |
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I began playing oud in 1988. In 2004, I learned I'd been holding the plectrum completely wrong for 16 years. D'oh!
[Please note that Source was a sample disk, and that the tracks thereupon are not necessarily intended for standalone listening...]
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00:10 |
|
80
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Brad Knox
|
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00:56 |
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81
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Brad Knox
|
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00:37 |
|
82
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Brad Knox
|
|
01:18 |
|
83
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Brad Knox
|
|
00:35 |
|
84
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Brad Knox
|
|
00:25 |
|
85
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Brad Knox
|
|
00:15 |
|
86
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Magicicada
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00:15 |
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87
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Magicicada
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00:49 |
|
88
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Magicicada
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00:32 |
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89
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Magicicada
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01:08 |
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90
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Magicicada
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00:43 |
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91
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Magicicada
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00:50 |
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92
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Magicicada
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01:02 |
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93
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Magicicada
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00:38 |
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94
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Rafter
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01:12 |
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95
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Rafter
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01:25 |
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96
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Rafter
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01:43 |
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97
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Rafter
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00:51 |
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 |
27.04.2005: Matt Davignon |
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Rafter took the "Source" idea very seriously. In one channel, he's progressing through the alphabet, attempting to make every sound used in the English language. (The intention was for other artists to be able to edit these sounds into words.) In the other channel, he created fairly basic sounds from anything in sight around his studio. |
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;)
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